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Sweeney Todd - Il diabolico barbiere di Fleet Street

Età consigliata: Vietato ai minori di 14 anni Formato: DVD
4,4 4,4 su 5 stelle 4.823 voti
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Sweeney Todd - Il Diabolico Barbiere Di Fleet Street (2007) DVD (Disco Singolo)

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  • Aspect Ratio ‏ : ‎ 16:9, 1.78:1
  • Lingua ‏ : ‎ Italiano, Inglese
  • Dimensioni del collo ‏ : ‎ 19 x 13,6 x 1,4 cm; 100 grammi
  • Formato supporto ‏ : ‎ DVD
  • Tempo di esecuzione ‏ : ‎ 1 ora e 52 minuti
  • Data d'uscita ‏ : ‎ 13 giugno 2008
  • Attori ‏ : ‎ Depp/Bonham
  • Sottotitoli: ‏ : ‎ Italiano, Inglese, Olandese, Finlandese, Danese, Norvegese, Svedese
  • Lingua ‏ : ‎ Italiano (Dolby Digital 5.1), Non disponibile (Dolby Digital 5.1), Inglese (Dolby Digital 5.1)
  • Studio ‏ : ‎ Warner Bros.
  • Garanzia e recesso: Se vuoi restituire un prodotto entro 30 giorni dal ricevimento perché hai cambiato idea, consulta la nostra pagina d'aiuto sul Diritto di Recesso. Se hai ricevuto un prodotto difettoso o danneggiato consulta la nostra pagina d'aiuto sulla Garanzia Legale. Per informazioni specifiche sugli acquisti effettuati su Marketplace consulta la nostra pagina d'aiuto su Resi e rimborsi per articoli Marketplace.
  • ASIN ‏ : ‎ B0041KXWFU
  • Numero di dischi ‏ : ‎ 1
  • Recensioni dei clienti:
    4,4 4,4 su 5 stelle 4.823 voti

Recensioni clienti

4,4 su 5 stelle
4,4 su 5
4.823 valutazioni globali
Bel film
5 Stelle
Bel film
Piaciuto al cinema comprato in blu ray
Nascondi
Grazie per i commenti
Siamo spiacenti, si è verificato un errore
Siamo spiacenti, non siamo riusciti a caricare la recensione

Recensioni migliori da Italia

🕌Ale Dan🏛️
5,0 su 5 stelle Film horror speciale
Recensito in Italia il 5 aprile 2024
Acquisto verificato
Uno dei film che più amo di Tim Burton, molti non saranno d’accordo, ma il fatto che sia musical lo rende diverso da tutti gli altri film (ovviamente in senso buono), con delle canzoni veramente belle, alcune ti rimangono in testa. Questo grazie anche alla bravura degli attori nel cantarle. Un film molto violento ma dalla storia semplice, con un finale inaspettato. La spedizione è andata alla grande, il film è arrivato due giorni prima del previsto
Utile
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Alessia
5,0 su 5 stelle Sempre bellissimo
Recensito in Italia il 1 febbraio 2024
Acquisto verificato
Uno dei miei film-musical preferiti. Davvero bellissimo
Utile
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Marco S.
5,0 su 5 stelle Tim Burton non delude
Recensito in Italia il 13 gennaio 2024
Acquisto verificato
Qui Tim Burton si avventura nel musical pur mantenendo le sue atmosfere. Bella esperienza cinematografica
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Marco
5,0 su 5 stelle DA VEDERE
Recensito in Italia il 17 gennaio 2024
Acquisto verificato
un'opera stupenda, da vedere assolutamente
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cgiara
3,0 su 5 stelle Mi piace T. Burton ma...
Recensito in Italia il 4 maggio 2023
Acquisto verificato
ma cantato é stato davvero pesante da guardare.
Peccato perché per il resto trama, personaggi, storia, ambientazione mi é piaciuto molto
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Elly
5,0 su 5 stelle Ottimo
Recensito in Italia il 8 gennaio 2024
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Film magnifico
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Ale88gamer
5,0 su 5 stelle Sweeney Todd
Recensito in Italia il 30 novembre 2023
Acquisto verificato
Il più bel film di Johnny Depp, che dimostra ancora una volta di essere un'attore incredibile. Il blu-ray si vede benissimo, ed è arrivato in condizioni perfette, consigliato per chi ama questo grande attore.
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Le recensioni migliori da altri paesi

Traduci tutte le recensioni in Italiano
Someone
4,0 su 5 stelle As expected!
Recensito in Canada il 17 gennaio 2011
Acquisto verificato
One of Burton's masterpieces, I was rather thriller to watch it on my new plasma screen over the holidays.

The quality was as expected, ASTOUNDING!
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Needs Caffeine
5,0 su 5 stelle A Perfect Movie
Recensito negli Stati Uniti il 12 marzo 2008
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This is one of the most perfect films I've ever seen. Unfortunate it had to compete with other great films this year like "No Country for Old Men" and "There Will Be Blood," but I think this is the far greater achievement. The fact that it's a musical may have thrown some audiences, but now on DVD, I hope people will have the chance to really appreciate and enjoy it.

Here's a couple of things to consider as background to this film:

Movie musicals died a long time ago when audiences tired of them. The height were Rodgers & Hammerstein extravaganzas like  Oklahoma! (50th Anniversary Edition)  and  The King and I (50th Anniversary Edition) . Modern audiences thought the whole conceit of characters breaking into song to be just plain hokey. But some films tried a more sophisticated approach:  High Society  (1956) was a remake of the witty  The Philadelphia Story  (1940) with original songs written for the film by Cole Porter. It's a great movie because the songs were added in small, intimate ways, consistent with the dialogue. There are no giant dance or production numbers. Sophisticated leads Frank Sinatra, Grace Kelly, Bing Crosby and Celeste Holm were allowed to easily slide from speaking to singing, the transitions were cool and realistic, and the music genuinely reflected the characters and situations.

Tim Burton's Sweeney Todd has taken this approach and refined it further. Other reviewers have given you the story and detail, so I'll skip all that. But a real gift of this film has been Burton's ability, with Sondheim's approval and contribution, to change what was a stagebound spectacle into an intimate film with real, relatable characters. The music seems to slide in as a complement to the action and the visuals. Yeah, people start singing, but the entire drama is personal. There is great subtlety in the relationship of Todd and Mrs. Lovett, and this film focuses on that intimacy, while most musicals pull the viewer *out* of the drama. You see this in the way Burton shot the film: in the old days, songs and production numbers were shot to give an audience the feel of the same scene onstage - showy and unrealistic. More recently, directors unfamiliar with musicals used angles very at odds with the action. A good example is Woody Allen's  Everyone Says I Love You . In this film, he often shot musical sequences with a different technique than the spoken scenes, but it comes across as out of synch. It's a hard thing to nail, shooting people singing. But Burton pulled it off, and brilliantly: in Sweeney Tood, songs are shot as though characters are simply having a discussion with each other.

Really, everything about this film is perfect: the script, and shortened version of songs work ideally for film; the visuals, with Oscar-winning art direction by Dante Ferretti, are breathtaking; cinematography by Dariusz Wolski is quick, exciting, fresh; editing -- especially the hilarious "Worst Pies in London" -- by Chris Lebenzon is dazzling. The orchestrations are also something unprecedented: this is one of the most beautiful scores ever, but Burton and Sondheim went a step further, beefing up the orchestra from around 35 players in the stage version, to something like 70. The result is an incredible richness and depth, a sound that's so big and so effective, especially against the intimacy of the story and the voices. Orchestrator Jonathan Tunick and conductor Paul Gemignani have created one of the best musical soundtracks in the history of film.

And then of course, is the cast.

Edward Sanders is unbelievable as the boy Toby; he's the right age for the part, and his voice is clear and strong. He's got the right accent and look, and despite playing a tough street kid, his scenes of tenderness with Mrs. Lovett are heartbreaking and convincing. Burton is often portrayed as a gothic/artsy director, but I think people overlook his brilliance at drawing poignancy in the most unlikely places. His selection and direction of this great young actor remind us of that.

Jamie Bower and Jane Wisener are ideal as the young lovers: Bower is literally wide-eyed with yearning and wonder, and Wisener is beautiful, innocent and lovely. Again, Burton sketches the story by selecting these exquisitely perfect unknown actors.

And then you have Depp and Bonham Carter. These are two artists at the height of their powers and they are both extraordinary. Depp is an amazing actor, for all the reasons others enumerate here. He is so gifted: he shows us Todd's hard, vengeful crust for most of the story, but softens and nearly seduces Judge Turpin under the razor. Then, near the end, where he realizes what he's done to the beggar woman and who she is, his madness disappears for a flash, and Depp reveals the man Todd once was, his sudden, tragic realization of what he's done, and then, in a flash, it's gone. Few actors have his ability to show such a range of subtle colors and textures. Like the visuals of this film, the first impression is one of grayness and gloom, but on second and subsequent viewings, the amazing amount of detail and subtlety really reveal themselves.

And finally, Bonham Carter. I think the play's hardcore stage fans have unfairly compared her to Lansbury and others. This is an entirely different performance. Bonham Carter finds the subtle, absurd, dry British humor in this character, as well as her very real and touching sadness. She plays it like a drawing room drama, not a music hall belter. And that is the truer and more realistic approach for the modern musical.

Two other great actresses also tried this to different reaction: Audrey Hepburn sang in her own voice in  Breakfast at Tiffany's (Special Aniversary Collector's Edition)  and audiences were entranced with her lovely but imperfect sound. However, Hollywood would not allow her own voice for  My Fair Lady , and she was dubbed over. Similarly, Ava Gardner sang her own songs in  Show Boat  but again she was dubbed. If you listen to the reissued soundtrack to  Show Boat: Original Motion Picture Soundtrack (1951 Film) , you get the original outtakes sung by Ava Gardner, and you know what? They are far better, more authentic and richer than the dubbed versions. It was a mistake not to use Gardner or Hepburn's own voices, and those films seem dated because of it. In Sweeney Todd, Burton was wise enough to have all the actors use their own voices, and Bonham Carter's interpretation in particular is lovely and personal -- and like everything else about this film, appropriately perfect.

I'm guessing that in DVD many more people will be struck by how great an achievement this film really is. At least, I hope they will be. Tim Burton's Sweeney Todd may be one of those films that did only moderate box office in original release, but will, upon future screenings, be recognized for the landmark achievement it is in the history of film. Every actor, every shot, every edit, nuance, costume and moment -- is perfection.
14 persone l'hanno trovato utile
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Sum
5,0 su 5 stelle Sweeney's Waiting! A Fun Fantastic Film!
Recensito nel Regno Unito il 15 maggio 2008
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I have watched many of Tim Burton films and many of Johnny's Depp's film as well as the films where these two worked together. Needless to say I loved most of them. That's why I was so happy when I found out that the two would be doing a film together yet again to make the musical Sweeney Todd. I already knew the gist of the story, that it was about a murderous Barber who kills his customers and then with the help of his neighbor Mrs Lovett makes them into pies. Of course as I watched the movie I found the story had much more depth to it.

The story starts with Sweeney's return to London with a young Sailor Boy who rescued him from the ocean. To Anthony he tells him about a Barber and his Wife. Really it is Sweeney's past as Benjamin Barker, and how because a corrupt Judge lusted after his wife, sent the Barber away for 15 years on a false charge so he could have the wife. Sweeney returns to be ruinited with his wife and child Johanna now a young girl, but after meeting his old neighbor Mrs Lovett and learns of their fates, a thirst revenge becomes an all consuming obession. Sweeney Todd is not a happy story but a greek tradgedy with a moral of revenge. And it's clear to see even before the furious, unpredictable Epiphany "They all deserve to die!" and the humourous yet dark Little Preist "It's man devouring man, my dear! Then who are we to deny here?" that this is a story that is not going to have a happy ending.

Burton does not sugarcoat the film as other's might have done. Neck's are cut with blood squirting everywhere, head's are bludgeoned and body's beaten and without spoiling anything the ending is the most violent of all. Another is that Burton, Depp and Carter haven't glorified the story. we sympathise with Sweeney and the injustice done to him past and present and also with Mrs Lovett and her unrequited love for Sweeney, but by the bittersweet Not While I'm Around you can't ignore the evilness that the duo do.

The film does have it's light and funny scenes. Despite the characters and subplot been shortened for the movie Burton does focus on the love plot between the Sailor Anthony and Sweeney's daughter Johanna. As well as the humourous comments made in the film there is the hilarious song By the Sea where the film is suddenly changed from it's dark, dreary colours to a sudden, and shocking vividness of Mrs Lovett's fantasy. From Sweeney's laughable yet strangely cute bathing suit to his hirious expressions during the song, all done wonderfully by Depp, it's a funny change from the dark mood the film has throughout. However this is a story about the Demon Barber and it is his story which is the main one, so song's such as 'Kiss Me' sung by Anthony and Johanna which was in the play is excluded giving a much darker interpretation to the two characters. Even the delerious yet funny song By the Sea has a darker edge to it as despite the funny visuals Mr's Lovett's desperateness can be seen.

The actor's and actresses in the film played their part's wonderfully. Depp while may have cast doubts on others when chosen to the play the part, especially as he'd never sung before, proved in my eyes to be a perfect choice for Sweeney. With his pale face, dark hair with white streak and seductive yet creepy voice, his singing while may not be as professionial as previous Sweeney's is great to listen to none the less and his acting as the insane, revenge hungry Barber is superb. His furious snarles in Epiphany and calming crooning in My Friends are just one of the main examples where he shines in the film. He really out does himself and even put's his own interpretation on the character making Sweeney more brooding, subverted, and angrier. His expressions particuarly the eyes in the film are one's to watch as they show so much. Nothing is as powerful as watching his eyes go from been so sorrowful to suddenly rapid and crazed in a second. Despite Depp been my favourite actor I was not biased and went into this film with an open mind, when it was over I left loving Depp even more. To me he is Sweeney Todd.

Carter while may have a voice considered too weak or at least not strong enough to sing Mrs Lovett's parts does well enough and what she lacks in her singing she certainly makes up for with her acting as Mrs Lovett. She gives a much deeper interpreation to the amoral Baker, not seen in other Lovett's before. From her evident lust for Sweeney in My Friends as she tries to gain his attention "I'm your friend too Mr Todd", to her devotedness for him in Poor Thing "There was a Barber and his Wife, and he was beautiful" to her sadness and tears after Not While I'm Around, Carter presents Mrs Lovett in a way that you can;t help but feel for her and even like her despite her evil deeds with Sweeney.

Alan Rickman and Timmothy Spall are wonderful as the villains really making you hate them, and Sacha Baron Cohen while has a small part in the film is priceless as Pirelli the 'King of the Babers, the Barber of Kings' and the scenes that he are in steal the show. Even Jayne Wisener and Jamie Campbell Bower play and sing their parents well. Special mention should go out to Edward Sanders who plays the innocent Toby who works for Pirelli and Laura Michelle Kelly who plays the crazed Beggar Woman. Probably the two best singers in the whole movie they both play their parts wonderfully, especially Kelly who's Beggar Woman is a joy to watch and only makes me wish she'd had more scenes.

One of Burton, Depp and Carter's best it is a fantastic film which is enjoyable and fun to watch yet at the same time tragic and left me thinking about the story and film after seeing it. Scenes such as the ending (one of the most haunting i've seen) or the tragic and at the same time guiltily funny Johanna Reprise are memorable. Despite some songs having to be cut out (The Ballad which is one I was sad to see cut I feel was neccasary) are done wonderfully and are catchy. I couldn't get the Final Scene, My Friends or Johanna out of my head for quite a while. Even if you don't like the songs or are not a fan of musicals I urge you to still give the film a try as it is (to me) a great film which should not be missed and does justice to the Sweeney Todd play
Una persona l'ha trovato utile
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石川　淳
4,0 su 5 stelle いい作品だけど傑作って程じゃない。
Recensito in Giappone il 14 ottobre 2022
Acquisto verificato
ゴア描写かなりいい線言ってますが、同時期公開された『28週後』ほど怖くない。
Una persona l'ha trovato utile
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Tita Fürst - Koren
5,0 su 5 stelle Johnny Depp, Tim Burtun - Sweeney Todd
Recensito in Germania il 10 febbraio 2019
Acquisto verificato
Ein Film, in dem sich Tim Burton als Regisseur und Johnny Depp zum sechsten Mal treffen (Edward mit den Scherenhänden, Ed Wood, Sleepy Hollow, Charlie und die Schokoladenfabrik und Corpse Bride). Wie wir wissen, ist das noch nicht das Ende ihrer Zusammenarbeit.
Der Film aus dem Jahre 2007 wurde zu der Zeit "Pirates of the Caribbean" – Am Ende der Welt (der dritte Teil) gedreht. Man fragt sich immer wieder, wie schafft es Johnny Depp alle diese Filme zu drehen, sich in die Geschichte zu versetzen, er spielt ja immer mit einem enormen Einsatz.

Sweeney Todd ist ein Musical, alle singen nämlich. Und sprechen tun sie auch. Die Stimme von Depp ist zwar gut, aber etwas schwach. Nur er spielt so gut, dass diese Mängel, wenn man streng ist, gar nicht ins Gewicht fallen.
Eine Nacht, ein Schiff, zwei Menschen, die sich in London zurechtfinden müssen. Anthony Hope (Jamie Campbell Bower) ist ein junger Matrose, der ans Land geht. Er will sein Glück in London suchen. Der zweite ist ein Mann mit schwarzen Haaren, die von einer einzelnen weißen Strähne besonders/"strange" geschmückt sind, und etwas Magisches haben.
Ihr Abschied soll nicht für immer sein. Mr. Todd lädt den Jungen ihn in Fleet Street zu besuchen. Dort hatte er einmal ein Barbiergeschäft. Jetzt findet er hier Mrs. Lovett (Helena Bonham Carter), die einen Laden mit Pasteten betreibt, wobei die Kundschaft nicht viel von ihrer Ware hält. Sie erkennt den Mann und erzählt ihn, wie es seinen Nächsten ergangen ist/war.
Mr. Todd, so will er sich jetzt nennen, sucht die Kundschaft, gewinnt sehr schnell einen Wettbewerb gegen Signor Adolfo Pirelli (Sacha Baron Cohen). Der Italiener, der kein ist, erkennt Todd von früher. Er will ihn..., was ihm nicht gelingt. Sein Laufbursche Toby (Ed Sanders) kommt zu dem Laden und wird von Mrs. Lovett sozusagen mit Gin angeworben. Er freut sich über seine neue Anstellung.
Der Barbier hat auch einige Ideen, die er OHNE Mrs. Lovett nicht verwirklichen kann. Bald ist er wieder ein sehr gefragter Barbier. Auch die Geschäfte in Mrs. Lovett's Laden gehen immer besser. Die Kundschaft tut beiden gut.
Immer noch sucht Mr. Todd einen Weg, wie er wenigstens seine Tochter Johanna (Jayne Wisener) retten könnte. Sie lebt bei dem Richter Turpin (Alan Rickman). Sein Büttel (Timothy Spall) hat Augen sowohl auf Johanna wie auch auf die Gegend.
Warten ist nicht Mr. Todd' Stärke, obwohl ihm einige Zufälle (fast) die Lösung ermöglichen. Aber - nur...

15 Jahre weg aus London, 15 Jahre auf dem Schiff, wie im Kerker, machen sich bemerkbar. Aus einem ruhigen naiven Barbier ist ein rachsüchtiger Mensch geworden. Der nur noch schwierig das Gute sieht, obwohl es existiert. Ein Leben im Schatten bringt kein Licht, wenn man es nicht bewusst sucht. Ein Leben, dass aus Rachegedanken besteht, wendet sich öfter gegen den Menschen, die das Schöne nicht mehr sehen können.

Tim Burton ist es PERFEKT gelungen - die Dualität, die Gegensätze, sogar Widersprüche zu zeigen. Man bekommt die hellsten Bilder zu sehen, alles ist voll von der Sonne, die Menschen tragen bunte Kleider, lachen, freuen sich. Auch der Barbier mit seiner kleinen Familie. Nach seiner Rückkehr ist London immer nur grau, dunkel, bedrohlich. Auch die Paläste rund um City sind langweilig, als ob drinnen keiner wohnen würde.
Manchmal geht Burton mit den Bildern fast ins S/W, um dann die rote Farbe hervorzuheben. Einige Szenen sind gewöhnungsbedürftig, aber dann kommt irgendwas dazwischen, was den Schrecken verschwinden lässt.
Vielleicht empfinden wir den Film dann als ein Märchen, in dem es Hexen, böse Männer, kluge Jungen, versteckte Jungfrauen gibt. Und unser Gehirn prägt sich diese Geschichte ein.
Ein Film, den ich zu den BESTEN von Burton, Bonham Carter, Depp sehe... Nur solche Schauspieler können an ihre Grenzen gehen und mit dem Regisseur wie Burton zusammenarbeiten. Sacha Baron Cohen hat keine große Rolle, bleibt aber stark in der Erinnerung. Alan Rickman (naja, aus H. Potter), der für mich einer DER..., ist auch hier perfekt. Timothy Spall ("Mr. Turner – Meister des Lichts") hat fast immer undankbare Rollen, aber die spielt er mit Bravour.

Was hat Sweeney Todd gewollt? Würde er anders handeln, hätte er..., könnte er überhaupt anders sein? 15 Jahre sind eine (manchmal) zu lange Zeit. Und die Vergeltung schläft für einen Augenblick, dann wird sie wieder WACH.
Ist das ein Thriller? Ist das ein Gruselfilm, ist das eine Tragikomödie?
Es ist ein Film, den man nicht so leicht vergisst.
Tim Burton macht es möglich!
Die Lieder sind schön, ruhig, sie sind das Gegensatz zu der Geschichte. Wer so singen kann, dessen Herz muß auch REIN sein...
9 persone l'hanno trovato utile
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